Frequency, I
Frequency, I, 2024, watercolor, gouache and graphite on paper, 22 × 11 in.
Resonance, II
Resonance, II, 2024, watercolor, gouache and graphite on cotton paper, 22 × 11 in.
Frequency, III
Frequency, III, 2024, watercolor and graphite on cotton paper, 22 × 11 in.
Frequency, IV
Frequency, IV, 2024, watercolor and graphite on cotton paper, 22 × 11 in.
Frequency, V
Frequency, V, 2024, watercolor and graphite on cotton paper, 22 × 11 in.
Frequency, VI
Frequency, VI, 2024, watercolor and graphite on cotton paper, 22 × 11 in.
Frequency, VII
Frequency, VII, 2024, watercolor and graphite on cotton paper, 22 × 11 in.
At first light
At first light, 2024, egg tempera on cradled panel, 12 x 9 in.,
Edge of sight
Edge of sight, 2024, egg tempera on cradled panel, 12 × 9 in.
Stillness
Stillness, 2024, egg tempera on cradled panel, 12 × 9 in.
Anchor in green
Anchor in green, 2024, egg tempera, watercolor, and varnish on cradled panel, 40 × 30 in.
Nightswim
Nightswim, 2024, watercolor, graphite and beeswax on cradled panel, 40 × 30 in.
Soft song, high notes
Soft song, high notes, 2024, egg tempera and watercolor on cradled panel, 40 × 30 in.
Groundswell
Groundswell, 2024, watercolor, graphite and beeswax on cradled panel, 40 × 30 in.
Weather Eye
Weather eye, 2024, watercolor, graphite and wax medium on cradled panel, 40 x 30 in.
To the Sea ( the diver's legs)
To the Sea (the diver’s legs), 2024, egg tempera, watercolor, and varnish on cradled panel, 40 × 30 in.
Watching Snakes (after Jorie Graham)
Watching Snakes (after Jorie Graham), 2024, egg tempera and watercolor on cradled panel, 40 × 30 in.
Bloom
Bloom, 2024, egg tempera, graphite and acrylic on cradled panel, 14 × 11 in.
Summer Vessel
Summer Vessel, 2024, egg tempera, graphite and acrylic on cradled panel, 14 × 11 in.
Resonance in Blue
Resonance in Blue, 2024, watercolor, colored pencil and bees wax on cradled panel, 24 × 18 in.
Resonance
Resonance, 2024, egg Tempera, watercolor and varnish on cradled panel, 24 × 18 in.
Resonance
September 6 - October 25, 2024
Reynolds Gallery, Richmond, VA
For information on each image, please click on the image and then click on the information icon at the top-right of your screen.
Through our senses our bodies, like instruments, can resonate with our surroundings and with the natural world. We recognize the scent of rain falling on dry ground and give it a name, petrichor, a mixture of chemicals, bacteria, and volatile oils released by plants. We have evolved to recognize and even delight in the scent and the promise it offers. We may breathe in deeply, our shoulders may relax, we may look to the sky.
In this body of work, comprised of paintings and works on paper, visual resonance is coaxed out of form and pictorial space.
Fields of lines in watercolor flowing and snaking through a grid drawn on a gesso surface or smooth paper are punctuated by still points, which hold the pictorial space and provide anchors for rapt attention. Colors in the works sing in harmony or in tension, while positive and negative space vacillate in the picture plane, much like a jump rope whose rhythm we must feel in our bodies before we jump in.
Visually speaking, resonance is composed of waves that are symmetrical and balanced, is about matching and fitting, and is a precise thing that naturally occurs all the time, like magnetism.